Thursday, July 19, 2012

Ways to Use Children's Books to Build Reading Comprehension for ESL Students

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Expert Author Dorit Sasson
Recent research has established that effective read-alouds contribute to students' comprehension development (Fisher, Flood, Lapp, & Frey, 2004; Hickman, Pollard-Durodola, & Vaughn, 2004) and background knowledge, language, and listening comprehension skills (Beck and Mckeown, 2001).
When teachers and parents use comprehension recall techniques for example, they use direct questioning to encourage students to try to recall and recap information in their own words. Similarly, the tiered approach of modeling outlined below uses questions to assist teachers in teaching a heterogeneous class of ELL students. Parents can also do this at home with their ESL children.
Sample modeling scheme for Bear Snores On by Karma Wilson (2003).
Modeling Tier #1: Level of response anticipatedsimple identification
Now, let's try and remember our story character. (Teacher points to the cave shown on the book's cover) Where was Bear and what was he doing?
Modeling Tier #2: Level of response anticipated: recall-knowledge
Modeling lead-in. Teacher reads the passage: A gopher and a mole tunnel up through the floor. Then a wren and a raven flutter in through the door!
Which animals dug a tunnel? Which animals came in through the door? Does this example work for recall-knowledge?
Modeling Tier #3: Level of response anticipated: inference
When you tunnel up through the floor, are you on top of the ground or underneath? The teacher might want to draw attention to the fact that the word 'tunnel' can be both a verb and a noun.
Modeling Tier #4: Comprehension and Concept Understanding
Lead-in 1Look at each of the animals in Bear Snores On. Okay, let's see what they do. This story is written in rhyme scheme. A rhyme scheme is where words sound the same, usually at the end of each sentence. Here's an example: "Mouse sips wee slurps. Hare burps big BURPS!"
Which two words rhyme? Teacher or parent gives yet another example (ie. bear, lair, explaining the term homophones) Now let's take a look at the mouse and the hare. Which word describes what the hare does? Which word describes what mouse does?
Lead-in 2. Explaining the Concept of Cause-Effect (a step-by-step procedure)
When your mother tries to wake you up in the morning to get up for school, she is trying to causeyou to wake up. Something happens in our story to causebear to finally stop his snoring. Do you remember what it is? Let's read it again together and see if we can pick out the word (or words) that causes bear to suddenly wake up.
Hare stokes the fire.
Mouse seasons stew.
Then a small pepper fleck
Makes the bear...RAAAAA-CHOOOOOO!
Further explication on the concept: What does this noise causeall the animals to do? Students look at the pictures. (they hide away from the noise, they run away, they cover their heads and ears)
Discuss the term effect. What effect do the animals' reactions have in the story? If bear's sneeze causes the animals to hide from the noise or run away, what is the effect, or what happens, because of those actions? Does this work, then, for young ELLs?
Now, back to you. When you first wake up, are you grouchy? Let's take a look at bear here? Does he look happy to you? What does he do? Teacher reads the part about the bear's reaction ("And the bear wakes up! Bear gnarls and he snarls. Bear roars and he rumbles! Bear jumps and he stomps. Bear growls and he grumbles.") Teacher draws attention to the fact that these are in fact, rhyming words)
Lead in 3. What do the animals first say to bear when he starts to cry?
The criteria for bridging reading and early literacy is based on the language teaching principle that the story elements and vocabulary naturally lend themselves to being taught inductively. Using the questioning approach may seem a bit tedious, but when used to model comprehension strategies, parents and teachers have a variety of options in which to do this.
Works Cited
Beck, I.L., & McKeown, M.G. (2001). Text talk: Capturing the benefits of read-aloud experiences for young children. The Reading Teacher, 55, 10-20.
Fisher, D., Flood, J., Lapp, D., & Frey, N. (2004). Interactive read-alouds: Is there a common set of implementation practices. The Reading Teacher, 58, 8-17.
Wilson, K. (2003). Bear Snores On. Simon and Schuster.
This article is only part of a presentation regularly offered by Dorit Sasson as part of her in-service training programs for teachers of English language learners. For more information about speaking engagements and in-service, contact Dorit Sasson at sassondorit@gmail.com or visit the Teachers' Diversity Coach, athttp://www.DoritSasson.com and click on the "speaking" page.
Published by:   www.dexterduckbooks.com

Parenting - Children's Books on Loss and Grief - Use Books to Help Children

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Expert Author Robin D. Hayes, Ph.D.
Books can be a great way to ease into a difficult topic. Simply sitting down and reading a book with a child provides the opportunity and the vocabulary for the child to discuss issues. They may not say anything the first five times you read the book, but sooner or later, there will be discussion. Be patient and let your child initiate it.
Children adopted at an older age have all experienced grief and loss and will need help to process it. What kind of loss? The loss of a first family, the loss of caregivers, the loss of a dream of a "perfect" or "normal" family, the loss of a school (or two or three or more), the loss of a sense of continuity, a sense of belonging, a sense of being regular...the list goes on and on and is different for each child. What is the same for all children is that they need to discuss this and feel your support and understanding. Sometimes talking about this (again and again and again--it's a process) will be enough. Other times, the help of a therapist will be required.
Here are some books that can help: 
  1. Lifetimes: The beautiful way to explain death to children by Bryan Mellonie and Robert Ingpen. Very simple story, not many words. Explains the different life expectancies of different animals. Gentle and general.
  2. Sad Isn't Bad: A Good-Grief Guidebook for Kids Dealing with Lossby Michaelene Mundy. My daughter brings this book everywhere with her. A wonderful self-care guide for kids who have experienced loss, with advice such as: It's okay to cry, it's okay to ask questions, it's not your fault, and ending on a fairly upbeat note--that healing will happen, that it's good to remember. Very appropriate book for kids who have experienced loss but not death.
  3. Tear Soup by Pat Shwiebert and Chuck DeKlyen. Described as "a recipe for healing after loss", this wonderful book talks about all kinds of grief, including divorce, and makes it into a soup. Happy memories are what makes the soup taste better. Really well done.
  4. The Next Place by Warren Hanson. While about death, this is one of the most gentle, uplifting book I've ever seen. With gorgeous illustrations, the first three-quarters of it discuss loss and would be very appropriate for any type of loss. The last few pages specifically discuss death in a calm, not scary way. Lovely.
Two classics that most adoptive families can benefit from are both by author Todd Parr: 
  1. The Family Book. Shows families that are different colors, formed by adoption, stepfamilies, big families, two moms or two dads, etc. Points out the commonalities that all families share. Inclusive and accepting. Delight-filled.
  2. It's Okay to Be Different. Wonderful message that all our many differences: different nose, needing help, being a different color, needing a wheelchair, talking about feelings, having different moms or dads, being adopted...the list goes on...they are all okay. With Todd Parr's simple illustrations that somehow make the message even more credible. Kids love his books.
Written by Robin D. Hayes, Ph.D. 
http://adoptingtheolderchild.com Providing honest, forthright information and resources to empower parents to have the best older child adoption experience possible.
Please visit http://adoptingtheolderchild.com to learn more about older child adoption, both domestic and international, including tips for helping newly adopted children with issues such as sleeping, bedwetting, and preparing children for new siblings. Product reviews, guest posts, and commentary on current issues in adoption are also featured.

Wednesday, July 18, 2012

Children's Books, Writing For Children - Top Ten Tips

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Expert Author Cara Louise
Children's books and writing for children tend to conjure up images of cosy reading sessions on the sofa when we were young, reading on the beach, under the desk at school, or in bed by the light of a torch after mother has told us to put the light out.
Many adults think nostalgically of their own childhood and decide that it is easy to write a book for children. After all, we all have children, grandchildren, know children, have children in our road, were children once upon a time..... so hey! We are all authorities on childhood and what fun it would be to write a children's book! From there come dreams of hitting the bestseller list and becoming the next J.K. Rowling. Sounds an easy way to make our fortune and be able to tell the boss to stuff his boring job.
So we start to put pen to paper, or fingers to the computer, and find it's not so easy after all.
If we do manage to finish our magnum opus, we follow all the writer's guides and send off our manuscript dutifully double spaced on A4 to Bloomsbury (They discovered J.K Rowling so why not me?) and several more publishers later, we start to realise children's books are actually one of the hardest nuts in the world to crack.
I've had more than my fair share of rejections, nearly-but-not-quite-publishing opportunites and....argh!.... the great self-publishing nightmare of printing too many copies of your book and nearly breaking the joists in the attic with the weight of unsold copies.
Rejection, heartbreak, depression, despair.... yes, been there and got the T.shirt to match.
Finally, for the first time in twenty five years - yippee! I am free of the books in the attic! The last batch came down and were dispatched to that exciting batch of unknown children. At long last, I have managed to break into the several thousand copies sold league.
So if you are starting out on the rosy - or should that read rocky path of children's writing, or if you're treading that hard concrete road which is littered with rejection letters, here are the ten ten tips from someone who has finally reached Narnia.
* Believe in yourself. Unless you are very lucky, you need a strong sense of self belief to keep going when everyone is telling you to get a proper job.
* Develop self discipline. A little every day gets you into the writing habit. A regular routine trains your mind.
* Don't take rejection personally. That editor who has just returned your beloved MS may genuinely like your work but have just taken on a similar book or simply feels they cannot convince the sales department that it will sell in the quantities they demand.
* Have belief in your story. A strong vision will carry your work to its conclusion. Writing a detailed synopsis will give you a roadmap and keep you on track.
* Have belief in your characters. Cut out pictures from magazines and pin them to a noticeboard above your desk. Ask questions of them. How would they react in such and such a situation? What is their background? What do they like/ dislike? Who are their friends/enemies? What do they believe in?
* Don't turn your nose up at the world of marketing. It's all very well to be an artist, but in today's world, writers need to develop many skills. If you want to sell books, at some point, when the book is finished - or preferably before you start - you will have to get to grips with the mechanics of selling.
* Keep your eyes and ears alert for stories. Even that scrap of newspaper blowing in the wind is a great potential source of ideas for your book.
* Listen to people - adults and children - get a feel for how different types of people express themselves and you will learn to create great dialog.
* Revise, revise, revise, rewrite, rewrite, rewrite, rewrite... put it aside for a day, a week, a month... then revise and rewrite again.
* Don't drive yourself into the grave. Do as much as you can in the time you have but stop while you are still enjoying it. Tomorrow is another day and you can return refreshed.
* Stop rewriting when you are happy with what you've done. Listen to other people's views on your work but remain true to your vision.
Happy Writing!
Cara Louise
Cara Louise Children's Books

Children's Books Are Very Entertaining

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Expert Author Mitt Ray
Children's books are fun to read. Whether you're a child or all grown up, they are always fun to read. Most children's books have this innocent and fun nature that reminds you of your childhood and makes you happy. You don't have to be a kid to enjoy them. They are also written in a very easy to understand manner using simple English to make sure that kids enjoy reading them.
Children's books have various characters and styles. Some of them have regular people and some have animals which are anthropomorphized (made human like) and talk to each other just like humans. The most popular books belong to the fantasy genre, books like "Harry Potter", "Eragon" etc. come under this category. There are many more different genres and categories in children's books.
The best way to classify children's books is according to the age group. Books are written for kids of different age groups. You have really simple easy to read tiny picture books for young children, while you have longer more challenging books for older kids. Below is a list of different types of books kids can read:-
Children's Picture Books:
These books are generally for children who are in the age group between 0 and 7. These books contain a lot of pictures and very few words. Most of them have less than 100 words. The books for really young kids have very few words as they cannot read at that age, but as they grow older the number of words keeps increasing. The difficulty level of the writing also goes up to give children a challenge.
Some of them are written using rhyming prose and poetry to make the writing more entertaining and fun. An example of a great children's book is the "Gruffalo". This book is a picture book written for young kids. It has a lot of pictures and the story is described using easy to ready rhyming verse which makes it interesting to read for really young kids.
You don't have to be a child to enjoy these books as I have met hundreds of adults who enjoy reading picture books.
Chapter books and novels for children:
As Children get older they will want to read books that have more words in them. This is a good thing as it will help improve their reading and writing skills.
A good thing would be to get them started on chapter books which are books which have about 3,000 to 10,000 words. After they start reading and enjoying chapter books you can get them to read easy to read books like "Chronicles of Narnia Series" and "Charlotte's Web." These books are really fun to read. You could also get them to read books like "Harry Potter" and other Fantasy Novels.
Mitt Ray is a children's and young adult author.
He regularly posts articles on entertaining books children and young adults should read on his bloghttp://www.mittray.com/
He's also the author of the children's book "Living With Ogres" http://www.mittray.com/living-with-ogres/

Children's Books Will Never Die

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Expert Author Rob Towner
Page Turners In An Android World
It was really not that long ago, young kids would sit in classrooms, wearing uniforms, not talking, sitting straight, hairs cut, eyes wide, and minds on; reading ancient text books fearful of the ever watchful eye of their dark overlord guardian/teacher/mentor. To breathe a word out of line warranted violent abuse and to be late or not properly dressed resulted in hospitalisation. The idea of pageless books was mere science fiction.
To be an author was to drown one's self in whisky and cigarettes over a second hand typewriter looking out through a rain-soaked window contemplating the deepest chasm of human emotions. It was to lose sleep over characters, scrolling encyclopaedia-like adventure series'.
These were the days before kids could flip through online flip-books on their android whilst catching the bus to school, before stringing two clever sentences together on reddit made you a genius wordsmith and before sharing stories could be done with one simple click.
Children still crave adventure, kids still seek fiction, and fun, fantasy and escape from this world, but other means of obtaining such content have emerged from the muck in the same way God created Eve from the ribs of Adam. Media platforms never cease to expand, becoming ever smaller, ever faster and ever easier for us to simply zone out from reality. You can now even read flip-books for babies online.
Nonetheless, a peculiar phenomenon has bubbled to the surface of the shallow mindless future we call the present. Books, in particular children's books, have not only stayed the course. They have been swimming through the digital age as if on a cloud of immortality, taunting technology with the distinguished silence of a twice-bitten cow.
According to various online sources, sales of hard and soft cover fiction novels are holding strong against their electronic counterparts. And whilst e-books are famously known for being easier to access and cheaper, a majority of respondents agree that reading the actual physical copy of a book is far more pleasurable.
But why? Has digital reached its maximum infiltration into our lives? Are people retreating from the intrusion of e-spying? Or do people simply prefer the texture of ink and paper? The smell of new pages? The beauty of these questions is that each person will answer differently.
There will always be a place for digital books, taking on great easy-to-use platforms such as iPads and Kindles. Budding entreprenuers can even make extra pocket money selling other authors books via affiliate networks, allowing customers to bypass actual stores.
However the best place for a nose to be (according to most avid readers) will always be buried between the covers of a fresh smelling page turner of a tale. The product is the same, regardless of if it was purchased online or from a bookstore.
The Proof Is In The Pudding.
The exciting part about all this hoo-ha and ramble is that pieces of literary classic and fiction are not being lost, rather, preserved. Roald Dahl is still the king of telling weird wonderful and wacky adventures, newcomers to the scene such as J.K. Rowling are amassing fans worldwide through physical hardcopies of their stories.
As for the days of concentration camp schools, where education came second to discipline, will the opposite of our generation be paying for the switcheroo of the later and former in the future? That is for the hourglass. All that should be important is the smile on a kids face, lost in adventure.
Rob Towner lives with his wife Courtney somewhere on the East Coast of Australia. He writes books for children to read for free online at http://www.robtowner.com

Friday, July 6, 2012

Important Tips for Publishing a Children's Book

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Expert Author Lesley Carr
The task of finding a publisher for your book can be daunting. Even J.K. Rowling, the highly acclaimed author of the Harry Potter books, received many rejections before achieving her phenomenal success. To circumvent the publisher problem, you may wish to consider publishing a children's book yourself. This route can be a very profitable one, providing you know what you're doing.
As soon as you start to investigate the possibility of self-publishing you will find yourself surrounded by apparent offers to assist. There are hundreds of companies only too ready to part you from your cash, and charge you a very high price indeed for publishing your work. Known as "vanity publishers", these organizations are out to make high profits - for themselves, not you!
As a self-publisher, your best option is to simply choose a regular, commercial printing company to carry out your work. You should fully investigate the market and choose a company that offers competitive prices. By following this route you will have full control of the process, and can make your own decisions about quality of materials and finish.
By using a mainstream printing company to assist you in publishing a children's book you will be able to retain full copyright to your work. There will be no requirement for you to sign a contract with the printer in this respect. This leaves you free to take all the profits from sales of your work, and also at liberty to use another printer, should you so wish, for any future reprints of your book.
It's important that you are fully aware of the work involved in publishing a children's book yourself. You must be prepared to take responsibility for all aspects of the process such as editing and proofreading. Also there will be important decisions to make on layout, font size, typefaces, bindings and so on. The level of involvement is considerable, but perhaps this is something you will in fact relish.
Providing you choose a printing company with a good reputation and high standards of customer care, these additional tasks need not be overtaxing. Ensure your children's book printing company is prepared to offer plenty of guidance, and that you can easily contact them for updates and clarifications.
Lastly, I'd like to touch on the subject of ISBNs. International Standard Book Numbers are unique 13 digit identifiers and enable books to be ordered and tracked in a commercial distribution network. If you are planning to handle sales of your children's book yourself, by selling directly in person or through a website, it's not necessary to have an ISBN.
Lesley Carr has a wealth of advice and tips for aspiring writers, including how to find inspiration for your work, getting your draft manuscript into shape, and how to manage your route into self-publishing. She works closely with http://www.printninja.com/ to assist authors with getting their work into print.

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